GPT Image 2 Prompts

GPT Image 2 is the first image model I have used where the prompt matters less for "does it look nice" and more for "does the layout hold". Type sits where you put it. Chinese characters render as Chinese characters. Small labels in a chart stay legible when you zoom in. That shift changes what a prompt is for — you stop asking for a mood and start writing a brief.

Below are 100+ GPT Image 2 prompts I have tested and reused, grouped by what you actually need on screen: posters, portraits, product shots, diagrams, interfaces, characters, 3D, and edits. Copy any line as-is, then swap the nouns. Every prompt names a camera or render setting, a light source, and a layout rule, because those three are what keep GPT Image 2 from drifting into stock-photo mush.

What Makes GPT Image 2 Different

Three things show up in almost every test, and they shape how you should write prompts.

• It reads text as text. Longer strings, mixed languages, and drop caps survive. You can specify a headline, a subhead, and a footer credit in one prompt and get all three back in the right order. When it does fumble a glyph, the fix is usually shortening the string, not rewording the whole prompt.
• It respects composition instructions. "Headline in the top third, product in the lower right, 40% empty sky" is an instruction it follows rather than a suggestion it averages. Negative space is a thing you can order.
• It holds a reference. Upload a product photo, a brand swatch, or a previous render, and GPT Image 2 keeps it consistent across a series. That is what makes batch work — four poster variants, twelve chart panels — possible without a style prompt every single time.

If you want the visual side of that in depth, the poster style breakdown covers how each art direction reacts to the same prompt, and the 35 strategies for design work is the workflow companion to this page. If you are still deciding on a model, the four-way comparison is blunt about where Image 2 loses.

Rule of thumb from a few hundred runs: Image 2 is strongest when the prompt describes an artifact (a poster, a panel, a card) and weakest when the prompt describes a feeling. Write the artifact.

100+ GPT Image 2 Prompts

Eight categories, roughly a dozen prompts each. Prompts are in English and written to be pasted without editing. Bracketed words are the ones you swap.

1. Poster & Typography

The category Image 2 was clearly built for. Say the words out loud in the prompt — if the headline is not in quotes as text, you will get decorative squiggles instead.

• A minimal Swiss poster, headline "STILL AIR" in 96pt Helvetica-style grotesque, left-aligned in the top third, a single vertical red bar running the full height, warm off-white paper texture with visible fibre, 3:4 ratio, studio scan, no photography, no gradients.
• Concert poster for a fictional jazz night, headline "BLUE HOUR" in condensed serif with tight letter spacing, subhead "LIVE · MARCH 12 · HARBOUR HALL" in 14pt tracked-out sans below, duotone midnight blue and orange risograph texture, slight ink misregistration, grainy paper.
• Brutalist typographic poster, one word "ENOUGH" cropped by the canvas edges, black on newsprint, 2pt hairline grid visible, halftone dots at 40% opacity, photocopied zine look with dust specks and a faint fold mark.
• A film teaser poster, headline "THE LONG WALK" in tall condensed caps, tagline "some distances are measured in years" in small italic serif centred underneath, single silhouetted figure on a wet road at dusk, muted teal grade, heavy vignette, 27x40 one-sheet proportions.
• Editorial spread poster, two-column asymmetric grid, display headline in serif italic overlapped slightly by a cut-out photo of a ceramic vase, thin rules separating columns, cream background, print-accurate CMYK feel, no drop shadows.
• Typography study poster, the word "FOLD" rendered as a single continuous paper ribbon twisting through the canvas, soft studio light from the upper left, matte grey background, subtle ambient occlusion where the ribbon crosses itself, 1:1.
• Event poster for a design conference, headline "TYPE/CITY" set in a heavy geometric sans, secondary line "three days of letterforms" in mono, layout built on a visible 12-column grid with crop marks left in, safety orange and cool grey only, flat vector shapes.
• Record sleeve style poster, headline in a hand-painted brush script reading "SLOW TIDE", faint halftone ocean band across the bottom third, 1960s offset printing, paper gain and slight colour drift, 1:1 square.
• Luxury perfume poster, headline in thin high-contrast didone caps, tiny letterspaced subhead "EAU DE PARFUM · 50ML", bottle on black marble, single hard light from the right, deep shadows, gold foil accent simulated with a specular highlight, vertical 2:3.
• Protest poster, two-colour screen print, bold sans headline "LESS NOISE", crumpled paper texture, one registration offset copy printed behind in pale cyan, block of solid black through the lower left corner, high contrast, no gradients.
• Academic lecture poster, dense but readable, title in bold serif across the top, three-column body layout with placeholder text blocks, a small line chart in the bottom right, blue and white institutional palette, A2 proportions, precise alignment.
• Typographic poster where the headline is set on a curve following a large circle, secondary text wrapped around the outside of the same circle, monochrome blue on off-white, thick and thin contrast, geometric, no photo elements.

Poster work is where gpt image 2 poster prompts earn their keep — for a full library of directions, start with GPT Image 2 poster prompts, then run the same lines through the poster design library to compare art directions before you commit.

2. Photorealistic Portrait

The failure mode here is plastic skin. Naming a lens, a light source, and one imperfection fixes it faster than any "ultra realistic" adjective.

• Editorial portrait of a woman in her 40s, three-quarter turn, shot on 85mm f/1.4, soft window light from camera left with a white bounce on the right, visible skin texture and fine lines, neutral wardrobe, muted green backdrop, shallow depth of field.
• Environmental portrait of a bike mechanic in his workshop, 35mm f/2, tungsten overhead light mixed with daylight from an open roller door, grease on the forearms, documentary framing, slight lens flare top right.
• Studio headshot on seamless grey, 105mm f/4, two-strobes setup with a softbox key at 45 degrees and a strip light for the hair, crisp catchlights, sharp eyes, no retouching beyond blemish cleanup.
• Golden hour backlit portrait, subject laughing mid-sentence, sun behind the head creating a rim light and blown highlights in the hair, 50mm f/1.8, warm colour grading, dust in the air catching the light.
• Black and white portrait, hard single light from above, deep contrast, 100mm lens, grain of ISO 400 film, sharp nose and cheek shadows, plain dark background, patient expression, printed on fibre paper.
• Overcast street portrait in a city alley, 35mm f/2.8, flat soft light, wet pavement reflecting a neon sign, candid posture, muted colours with one red element, wide framing with plenty of headroom.
• Close crop beauty portrait, 135mm f/2, clamshell lighting with a large octabox and a silver reflector below, freckles and pores visible, glossy skin from a light oil, plain beige background.
• Silver gelatin style portrait of an elderly craftsman, half face in shadow, 50mm, single bare bulb as the only source, texture in the wrinkles, deep blacks, chemical edge marks left in frame.
• Swimwear catalogue portrait made elegant, 85mm f/2.8, harsh midday sun diffused by a scrim, sweat and water droplets, sandy tones, wind in the hair, subject looking away from camera.
• Cozy indoor portrait, subject wrapped in a knit blanket beside a window, 40mm f/2, soft directional daylight, film-like highlights, warm neutral grade, background softly out of focus with string lights.
• Corporate portrait that does not look corporate, subject leaning on a concrete wall in a car park, 85mm f/2, late afternoon side light, steel blue and concrete grey palette, relaxed shoulders, half smile.
• Film still portrait, actor mid-gesture in a dim kitchen, 40mm anamorphic feel with oval bokeh, practical lamp as motivation, teal and amber grade, slight motion blur on the hand, cinematic 2.39:1 crop.

For the wider family of face prompts — different ages, moods, and jobs — the portrait prompts collection and the portrait library are the closest neighbours to this section.

3. Product & E-commerce

Say the surface, the light shape, and the crop. Product prompts collapse into catalogues when you leave those three loose.

• Amber glass dropper bottle on a wet slate slab, single softbox from the upper left with a black flag for edge definition, water droplets on the glass, macro 100mm, clean gradient background from graphite to black, no props.
• Matte ceramic mug on a linen cloth, warm morning window light from the right, soft long shadow, 50mm f/4, beige and terracotta palette, slight overhead angle, negative space on the left for a headline.
• Sneaker floating against a seamless pastel pink background, hard flash from above plus a blue gel from the rear right, crisp shadow directly underneath, 35mm, no dust on the sole, e-commerce hero crop.
• Skincare set of three white tubes arranged on a curved plaster podium, soft daylight from a large scrim, subtle shadows in the podium groove, 85mm, cream and sage palette, lots of empty background for copy.
• Mechanical keyboard angled three-quarter on a dark walnut desk, low-key lighting with one narrow beam raking across the keycaps, 60mm macro, visible keycap texture and dust motes, near-black background.
• Coffee bag on a concrete counter beside scattered roasted beans, hard directional light through a window creating a bright slash across the bag, 50mm f/2.8, warm brown and grey, documentary styling.
• Luxury watch on a black glass surface with a single mirror reflection, controlled strip highlights running along the bezel, 100mm macro, deep black background, no visible dust, jewellery-grade retouch.
• Perfume bottle half-submerged in clear water with bubbles rising, backlit by a cool blue light panel, 90mm macro, high-speed capture look, sharp caustics on the glass, dark aquatic background.
• Canned drink shot for a summer campaign, condensation running down the aluminium, hard sun from behind at 4pm angle, sand and out-of-focus sea in the background, 50mm, saturated cyan and orange grade.
• Headphones on a foam head stand, three-quarter product shot, double strip lights left and right for clean reflections, 85mm, mid-grey seamless, subtle floor shadow, no glare on the earcups.
• Chocolate bar broken in half with crumbs, side-lit by a hard raking light, dark textured stone surface, 100mm macro, moody brown and gold palette, shallow depth of field on the broken edge.
• Flat lay of a stationery set on deep green paper, diffused overhead scrim light, arranged on a strict grid with even gaps, 50mm, muted ink colours, straight-down top view, catalogue consistency.
• Skincare bottle with a splash of water frozen mid-air around it, high-speed flash, black background, single hard key from the left, 100mm, deep contrast, no colour cast in the water.

Product prompts pair well with a stated use case — packshot, ad, or A+ module. The product advertising guide walks through that split, and the product library is where you can compare formats before batch-generating.

4. Scientific & Diagram

This is the strongest Image 2 category and the least discussed. It will label parts, keep a legend consistent, and draw an arrow that points where you meant. Spell out label text in quotes and say where the legend goes.

• A labelled cross-section of the human heart, cutaway view, four chambers tinted in distinct muted colours with a legend on the right listing every label in small caps, clean white background, thin 1pt leader lines, textbook accuracy, no artistic flourishes.
• Flow diagram of a wastewater treatment plant, left-to-right stages connected by arrows, each stage named in bold sans above a simple icon, blue and grey palette, 16:9, generous white space, print-ready at 300dpi.
• Two-panel comparison of a normal cell and a cancer cell, matched scale and identical lighting, labels in a shared legend, subtle membrane texture, pale violet and olive fills, journal figure styling, no decorative background.
• Exploded view of a lithium-ion battery pack, seven components separated along a diagonal axis with numbered labels from 1 to 7, exploded lines in fine grey, orthographic feel, white background, engineering drawing cleanliness.
• Field-observation infographic on honeybee decline, a small chart of colony loss over a decade, three annotated photos of hive conditions, muted ochre and forest green, clean serif labels, no clip art.
• Annotated architectural section of a passive house, wall build-up called out with a material list, arrows showing airflow in winter, hatched insulation pattern, black line work with soft grey fills, blueprint-adjacent but modern.
• Molecular pathway diagram, receptor on the cell membrane with labelled downstream proteins, curved arrows showing activation and inhibition with distinct line weights, pastel fills, clean sans labels, high legibility when printed at A4.
• A water cycle diagram with text in both English and Chinese, bilingual legend at the bottom, 2D flat style, blue-green palette, thin outlines, consistent arrowheads, classroom poster proportions.
• ROC curves comparison chart, three curves in distinguishable colours with a diagonal reference line, axis labels and a legend inside the plot area, sans-serif numerals, white grid at 15% opacity, publication style.
• Timeline of vaccine development, horizontal axis with dated milestones, alternating above and below labels, small circular nodes, restrained two-colour scheme, lots of air between milestones, no photos.
• Circuit board layout illustration with annotated pin labels, top-down orthographic view, green solder mask and gold pads, thin white silkscreen text, subtle traces visible under the surface, technical but tidy.
• Anatomical illustration of a hand skeleton, dorsal view, individual bones labelled with leader lines, natural bone tones, neutral background, medical illustration quality, no stylisation, no shadows beyond a soft contact shadow.
• Physiology chart with an ECG waveform above a pressure-volume loop, shared time axis in seconds, calibrated grids, both panels aligned to the same width, minimal ink, clinical white.

Technical work has its own prompts and its own failure modes — the scientific figure prompt guide covers the tricks for long labels, and the scientific review walkthrough shows what happens when a figure has to survive peer review. There is also a dedicated figure-generation write-up worth reading before you send anything to a journal.

5. UI & Interface

Image 2 renders plausible product screens, as long as you name the components and the grid. It will invent filler text if you let it, so give it a language and a length.

• A mobile finance app dashboard, 390x844 logical pixels, balance card at the top with a large numeral, a weekly spend bar chart below, bottom tab bar with five labelled icons, light theme with a single indigo accent, realistic status bar, no lorem ipsum.
• Desktop analytics dashboard, left navigation rail with seven labelled items and the current one highlighted, four KPI cards across the top, a line chart occupying the main panel, calm grey palette, 8pt spacing rhythm, dense but tidy.
• A checkout flow, three screens side by side, cart summary, address form with sensible field labels, and a payment confirmation with a green success state, device mockups with subtle shadows on a light grey backdrop.
• Minimal reading app, single column of 16px body text, generous line height, a thin progress indicator at the bottom, dark theme with warm off-white text, no chrome beyond a back arrow.
• A smart home control panel, room cards in a two-column grid with on and off toggles, temperature dial in the first card, soft neumorphic shadows, muted teal accents, tablet landscape orientation.
• A booking calendar UI, month grid with three dates marked differently for available, booked and selected, sidebar with a time slot list, clear type hierarchy, blue and neutral greys, no decoration.
• An AI chat interface, conversation column centred with a max width, user bubbles right-aligned in light grey and assistant replies left-aligned without bubbles, a compact composer at the bottom with an attach icon, quiet monochrome palette.
• A music player, full-bleed album artwork with a frosted glass control bar over the lower third, scrubbable progress line, shuffle and repeat glyphs, high-contrast white type, one saturated accent colour pulled from the artwork.
• A settings screen with grouped rows, switches, chevrons and a destructive red row at the bottom, iOS-style proportions, hairline separators inset to align with the text, clean and uncluttered.
• A desktop design tool, toolbar across the top, layer panel on the right with a visible hierarchy of indented items, canvas in the middle with a wireframe selected and blue selection handles, professional grey UI.
• A travel app search results list, flight cards showing airline, times and price, one card expanded with details, filter chips along the top, airy layout with strong vertical rhythm, white with navy accents.
• An onboarding carousel, three phone screens with large illustration areas, short headline plus one line of body copy on each, progress dots, bright but restrained palette, rounded corners at 16px, consistent illustration style.

Interface prompts are covered in more depth in the UI design library, and the screen-in-a-browser approach is documented in the research deliverables write-up if you need to hand the result to a developer.

6. Character & Mascot

Consistency is the whole game. Lock the silhouette, the palette, and one signature detail, then reuse that sentence every time you need the character again.

• A friendly mascot for a coffee brand, a rotund ceramic cup character with stubby legs, two dot eyes and a steam swirl for hair, flat vector with thick uniform outlines, three colours only, white background, front-facing turnaround of four poses.
• Character sheet of a teenage inventor, front, three-quarter and back views on one canvas, height chart on the left margin, consistent proportions, simple cel shading, muted jumpsuit palette, no background.
• A mascot fox in a courier uniform, running pose with a satchel, athletic proportions, exaggerated ears, limited palette of burnt orange, cream and navy, cel-shaded with a single hard shadow, sticker-friendly silhouette.
• Anime-style character in a school hallway, determined expression, wind lifting the hair, warm late-afternoon light through tall windows, 2D cel shading with a soft rim light, detailed uniform folds.
• Chibi version of the same character, three heads tall, oversized eyes, holding a wrench, pastel palette, thick outlines, plain mint background, sticker proportions.
• A mascot for a finance app, an anthropomorphic piggy bank in a smart blazer, confident stance, arms crossed, flat geometric shapes with subtle gradients, navy and mint, no outlines, contemporary brand style.
• A fantasy tavern keeper, broad build, apron, rolled sleeves, a scar across the left eyebrow, painted look with visible brush strokes, warm candle lighting from below, dark wooden background.
• Cyberpunk street medic, layered jacket with reflective tape, a soft case of tools at the hip, teal and magenta neon spill on the face, 3D-rendered look with realistic cloth folds, shallow depth of field.
• A 1950s-inspired robot mascot, rounded chrome body, single antenna, visible rivets, friendly posture waving, retro-futurist illustration with halftone shading, cream and rust palette.
• A pair of mascots designed to sit together, a pencil and an eraser, matched art style, complementary colours, each with a distinct expression, both on transparent-looking white, same line weight throughout.
• Character design for a picture book, a small bear in a knitted red scarf, gentle expression, watercolour with visible paper grain, soft edges, winter palette, plain cream background.
• A sports team mascot, a muscular otter in a jersey, dynamic leap pose, bold shapes built for a logo mark reduction test, three flat colours plus black, no gradients, high contrast.

Character work benefits from a reference first; the character design library has enough directions to settle the style before the batch run, and the illustration library covers the rendered alternatives.

7. 3D & Isometric

Isometric prompts need an explicit camera. Say "true isometric, 30-degree elevation, orthographic" and the grid will stay consistent across a whole series.

• True isometric cutaway of a two-storey bookshop, orthographic projection, 35-degree elevation, warm interior lights against a cool exterior, soft shadows on a light grey ground, clean matte materials, no labels.
• A 3D room render of a small home office, cinematic three-point lighting, a desk lamp as the practical light source, matte ceramic and pale oak materials, 50mm equivalent, shallow depth of field, calm neutral palette.
• Isometric city block, four buildings at different heights, tiny trees and benches, pastel colour coding by function, soft ambient occlusion, orthographic camera, white background, clean geometry, no clutter.
• Product visualisation of a smart speaker, three-quarter view on a floating circular platform, gradient studio backdrop from grey to white, crisp contact shadow, physically-based materials with fine fabric weave.
• Low-poly mountain landscape in a glass cube, limited palette, faceted planes catching directional light, soft reflections in the glass, plain background, macro product-style framing.
• Exploded 3D view of a camera lens, glass elements separated along the optical axis, glass showing correct refraction and edge green tint, orthographic, neutral studio backdrop, labels omitted.
• Clay render of a character bust, matte grey material, one soft key light and a large bounce, ambient occlusion in the creases, plain light backdrop, form study rather than finished art.
• Isometric infographic of a solar installation, a panel array on a roof, a battery unit, arrows to a house icon, flat-shaded 3D with a single light direction, teal and amber palette, consistent 2:1 tile grid.
• Miniature diorama of a night market on a floating island, warm string lights, tiny steam from food stalls, tilt-shift depth of field, cool blue ambient from the top, high detail with a soft contact shadow.
• 3D typography of the word "GROW", extruded block letters with rounded chamfers, mint and cream materials, soft studio lighting, isometric angle on white, subtle reflection under the type.
• A boutique store interior rendered in Blender-style cycles quality, warm spotlights on display plinths, polished concrete floor with faint reflections, deep shadows, 24mm lens, architectural visualisation standard.
• Isometric desk setup, laptop, notebook and a small plant, uniform 2px-style line work over flat colour, consistent isometric grid, muted palette with one accent, transparent-ready white background.
• Three-quarter 3D render of a smartwatch on a stone pedestal, dark moody lighting with a single strip highlight along the case edge, brushed metal and glass materials, near-black background, luxury product aesthetic.

For more directions in this family, the 3D rendering library and the luxury 3D cinematic prompt are good starting points, as is the 3D luxury poster prompt when the render has to carry type.

8. Editing & Style Transfer

Edit prompts work on an uploaded image, so keep them short and legalistic: say what changes, say what stays, and name the finish. Anything left unstated tends to drift.

• Keep the composition and subject exactly as in the source image, convert the entire piece to a loose ink-and-wash style, visible brush edges, bleeding pigment, paper showing through in the highlights, no photorealism remaining.
• Change only the background: replace the street behind the subject with a soft studio grey seamless, keep the subject's lighting direction and shadow shape untouched, match the grain of the original.
• Restyle the photo as a three-colour risograph print, offset registration by 2mm, visible paper tooth, flat fills only, no gradients, keep the original framing and crop identical.
• Remove every text overlay and logo from the image, rebuild the covered areas with the surrounding texture, keep the person and the lighting exactly as they are, no new elements added.
• Colour grade only: shift the image to a teal and amber cinematic look, lift the blacks slightly, add gentle highlight roll-off, preserve skin tones within a natural range, add fine 35mm grain.
• Turn the flat illustration into a watercolour version, keep the same layout and shapes, add paper texture and soft edge bleed, desaturate the palette by about 20 percent, no outlines.
• Swap the daytime sky for an overcast dusk sky, relight the subject to match a soft ambient source, keep the shadows soft and diffuse, do not alter the buildings or the framing.
• Replace the plain white product background with a wet stone surface and a soft reflection, generate a matching shadow under the product, keep the product colour and shape pixel-faithful.
• Convert the photograph into a blueprint line drawing: white lines on a deep blue ground, keep all visible edges, drop the interior shading, thin uniform line weight, no hatching.
• Extend the image to a 16:9 canvas, fill the new space with a plausible continuation of the same environment, match the lighting, grain and colour grade, no new focal subject in the added area.
• Apply a vintage film look: subtle halation around the highlights, a warm shift in the midtones, a slight green cast in the shadows, light dust, mild frame distortion, keep the composition unchanged.
• Turn the studio photo into a pencil sketch, cross-hatched shading in the dark areas, visible paper grain, keep the facial proportions accurate, no colour, no digital sharpening.
• Take the finished poster and produce a second colourway: same layout and type, swap the palette to deep burgundy and bone white, keep every text element identical, no layout changes.

Edit prompts are also how you get from a flat render to something a designer can work with. That path continues in turning GPT Image 2 results into layered PSD files, and if you are using the older workflow, the PSD layer generation guide still applies. For a styles reference while you edit, see the design prompt library.

How to Write Better GPT Image 2 Prompts

Six habits, in the order they save the most time.

1. Name the artifact first. "A 27x40 one-sheet poster" beats "a cinematic image" every single run, because it tells the model which set of conventions to apply before any styling arrives.
2. Quote your text. Any string you want rendered goes in quotation marks with a size and a type category. "STILL AIR" in 96pt grotesque works; a headline about still air does not.
3. Give one camera or render setting. A lens and aperture for photo prompts, an orthographic projection for isometric ones. One is enough; stacking five rarely changes the output.
4. State light direction. "Soft window light from camera left" is the cheapest quality upgrade available to you, and it also stops flat frontal lighting from creeping in.
5. Budget the empty space. Say "40% negative space in the top third for a headline" and you get usable room instead of a subject jammed against the frame edge. This is the trick behind most successful collage-style poster layouts.
6. Iterate one variable at a time. Change the palette or the crop, never both, or you will not know which edit helped. Keep the working version of a prompt in a file — the discipline behind the 240-prompt creation handbook is exactly this.

If you are rewriting prompts you already have, the prompt writing and editing guide is the closest companion to this section, and the creative visual playbook pushes the same techniques into less commercial territory.

Some formats are worth studying before you write your own. These tested prompts cover the poster and product styles that appear most often in my own runs: cinematic one-sheet poster prompt, brand poster design prompt, luxury minimalist poster prompt, vintage fashion poster prompt, luxury food poster prompt, cinematic poster design prompt, 3D product still-life prompt, luxury food advertising prompt, dark mood product photography prompt, abstract product design prompt and cinematic food and product prompt. Borrow the structure, not the subject.

FAQ

Is GPT Image 2 better than earlier models at text in images?

Yes, and by a wide margin. It handles long headlines, mixed scripts and small chart labels that older models turned into doodles. It is not perfect: unusual typefaces, very long strings and heavy perspective on text still break. Shorten the string or reduce the perspective and the accuracy returns.

How many prompts do I actually need to get a usable poster?

Usually one good one and two or three small edits. The first run settles the layout, then you fix one variable at a time — palette, crop, or the length of the headline. Rewriting the whole prompt from scratch each time is the slowest way to work.

Should I use the same prompt for a whole series?

Keep the descriptive half identical and vary only the subject line. That is how you get a coherent set of twelve product cards or a four-poster campaign that looks deliberate instead of assembled. An attached reference image does the same job more strongly.

What image size works best?

Match the final placement. Posters want 2:3 or 4:5, story formats want 9:16, dashboards and diagrams want 16:9 or 3:2. Generating at the right ratio saves you from cropping away the layout rules you just spent a prompt describing.

Can I use these prompts commercially?

Check the terms of the model and your local rules before you ship anything client-facing, and never prompt for a real person's likeness or a trademarked character. Prompt text like the examples on this page is yours to reuse and adapt.